Ropecon, the largest gaming convention in Finland, will be here at the end of this month. Here are my plans for the occasion.
First, I will running two planned games: One a scenario written by certain name of some fame in the Finnish rpg scene; the title of the scenario is “Jää hiljaisuus”, which is somewhat tricky to translate; “Jää” means both ice (the substance) and remains (a verb), while “hiljaisuus” translates as silence. My prediction about the scenario is that it will work reasonably well or crash and burn brilliantly, depending on the players. It is a scenario designed for quite particular style of play.
The another game I’ll be running is my standard episodic sword and sorcerish fantasy rpg. This time I will do it properly, as opposed to the semiproper game last year. It ought to work pretty well. Former players might get to play the same characters again.
I will try getting to play, too. Rumours tell that there won’t be scheduled 4e games, which tells a bit something about its popularity hereabouts, so trying it out is unlikely. James of Lamentations of the flame princess is likely to run a couple of games and I’ll try to catch one of them; pity the people who will have to endure my mediocre accent. I don’t have any other particular games in mind, but will try to find something interesting.
I will probably buy a book or two. Typically it has been one book per ‘con, but I fear I might be getting sloppy and buying more this time. Notably, products of interest include the Finnish pulp fantasy rpg Praedor (I’m getting a supplement, so I might as well get the game proper, too), mister Raggi’s adventure involving doom, frost and death (because I appreciate weird fiction with certain amount of malice included) and Solar system or Menneisyyden varjot, the Finnish translation of the Shadow of yesterday (since I’ve been playing it; I remember the rules by heart at this point, pretty much, but would like to support the authors or translators by giving them some money and the satisfaction of a sell).
There’s also a number of lectures/presentations that are of interest, though I fear I will be missing most of them. To name a few subjects: Russian mythology and folklore, assassinations, modern warfare and psychological effects thereof, spiritualism, academic lecture of rituals and roleplaying (by J. Tuomas Harviainen, a definite expert on the subject), lojban, ancient animals, adventure building (which is unlikely to be useful, but I’ll be there anyway), black magic, religious ritual sacrifices, Forgish rpg theory (Lumpley principle), self-publishing, Japanese mythology, Arabian mythology, geopolitics, designing a religion, introduction to academic rpg theory (which will probably be useless but I might be there anyway), adding mood to roleplaying games, basic game mastering advice, medieval combats and medieval larping, as well as educational roleplaying. There’s also a bunch of less interesting lectures.
There are workshops and more action-oriented presentations, also. The interesting ones include ren faire-esque fighting, folk music, proper medieval European swordsmanship, improvisation theatre for roleplayers, primitive weapon workshop and workshop for singing spells in the style of Kalevala.
With any luck I’ll be able to socialise a bit with some people whom I do not frequently meet. Particularly: Any whom I have met through blogging but not face-to-face. Foreigners are allowed to enter, too. There’s some program and a few games in English. Almost everyone can at least communicate in English. There’s no need to make reservations, though if you want to sleep in a hotel room, you would want to check the nearby hotel, of which I know nothing.
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In which I explain what sorts of heavily rules-bound play I find generally boring or not worth my time, and why it is so. If you find philosophical investigation boring, skip to the next heading.
But first a few words about roleplaying, as a term. There is roleplaying as a hobby and an activity (and roleplaying games as a small subset of it). Pretending to be someone else, or maybe steering the actions of a fictional character in a fictional world. This is very much the same thing that computer “roleplaying” games are about. Some game being a roleplaying games is a cultural thing: If players think of something as a roleplaying games, than it is. 4e is clearly a roleplaying game, for example. So are the strangest of indie games (but not Universalis). This way of understanding roleplaying is not meaningful when having a conversation with roleplayers or about roleplaying games, because it provides no insight, makes no divisions.
There’s another way roleplaying is talked about. Roleplaying, in this other sense, is something that can be part of playing roleplaying games, but does not need to be. It is often (falsely) contrasted with rollplaying (now I’m feeling dirty), hacking and slashing or perhaps ruleplaying. The common thread seems to be that these are shorthands for activities that happen in games that are not roleplaying games. These distinctions have the potential to be meaningful, as they do separate distinct phenomena, in their crude and unhelpful manner.
This brings us to the culture of discourse among roleplayers. Roleplayers have their jargon, as doubtless do other hobbyists. Many terms have pretty clear meanings, but some are overloaded (that is, have too many distinct meanings) and pretty much unusable. Story and roleplaying are fine examples of this. I won’t talk about story, at least this time. About roleplaying I will.
Roleplaying can mean dialogue spoken in character, immersion (deep or not), random quirks, inter-party banter, dramatic angst, acting, not rolling dice or plenty of other things. People don’t bother defining what they are talking about when they say roleplaying, maybe because they think it is obvious (it is not), or because they don’t know. I doubt most people have the inclination of thinking carefully what words mean, unless prodded to do so. The situation is even more complicated because roleplaying as a word has positive connotations; almost everyone likes to think that they roleplay a lot, as opposed to merely being some foul and barbaric rollplayers.
I want to communicate about roleplaying games; especially about how and why people play, and how they can get better at it. Hence, I need to know what people mean when they say roleplaying. For this reason I try to define what roleplaying is, at least to some extent, when the word gets randomly tossed around. Of course, I like to define it in a way that suits me: Roleplaying (in the narrow sense) is revealing character through play. Revealing to yourself or to others, and revealing character’s personality particularly; beliefs, issues, problems. In play, not when buying a profession (baker) skill in character generation. Your definition may, and is likely to, vary.
… but I had a point to this post, too
A few times in the recent past I’ve used the phrase “but I’d rather be roleplaying”. Usually the context is something like “do you like board games/movies/D&D?” Yes, they are okay, but I’d rather be roleplaying.
As inconsistent as this is of me, I don’t really mean roleplaying in either of the ways outlined above when uttering this phrase. Rather, I mean roleplaying as imagining interesting events and improvising what happens next. I think. Something like that. The fiction is what matters, but creating it is the actual heart of roleplaying, to me. So: The storytelling is what matters.
It is clear that movies and board games do not allow me to meaningfully participate in shared storytelling. In case of board games, the story we might build around the game does not matter, as rules are what matters and what is manipulated.
Railroaded games do not allow meaningful fiction creation, either, as the outcome and the important parts are fixed. Details may vary. This, of course, depends on the degree of railroading, but I am talking of the extreme case here.
Traditional combat systems are an edge case: They create fiction and often allow meaningful input, but they are utterly slow and they often limit the inputs and outputs that get used, even if there is room for more exotic actions. Once miniatures in modern D&D hit the table, interesting fiction does not often happen. There’s just a series of “I swing (or use Utterly Awesome Anime Power), you hit with maybe some description (or Conditions of Great Awesomity are placed on characters that also move around a bit and some enemies take damage), they swing, miss, you swing, …”. Maybe there’s an interesting visual effect every now and then, unless overshadowed by Anime Powerz, but could we get on with the shared storytelling and interacting in the fiction and all the interesting stuff already? Please? Burning Wheel has some of the same problems, but it does tend to create more interesting fiction; it would take lots of practice to make the extended resolution systems fast enough, though.
I feel I am again getting closer and closer to what I actually enjoy in roleplaying; this time, thanks to Jukka Särkijärvi’s Pathfinder game (which was fun enough, but I would rather have been roleplaying). At the moment, I would characterise my sources of enjoyment in roleplaying as follows (I’m pretty sure I’m missing something important still, but this is a work in progress.)
- Fiction I enjoy, which includes swords and sorcery, strange metaphysics, fantasy and scifi that are pretty realistic (by which I mean “close to real world in what is possible” and also internally consistent) but have clearly distinct and separate supernatural or alien parts.
- Structured social interaction with my friends and with interesting people. (All my friends are interesting people. The converse is not true.)
- Shared creation of fiction, which I talked about above. Shared, because everyone can and will add things and nobody has done the creation before play.
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A friend has been busy for some time and wanted a bunch of nice roleplaying-related links. Almost all of these links I have shared and starred on Google Reader; but not all of those are included here. There’s a mix of play advice and cultural commentary, as well as some lightweight theory (these are not distinct sets). With no further commentary and in almost reverse chronological order:
http://oldguyrpg.blogspot.com/2009/06/dispelling-myth-sandbox-prep.html
http://bankuei.wordpress.com/2009/06/13/the-stories-we-want-to-see/
http://lotfp.blogspot.com/2009/06/i-hate-fun-one-year-later.html
http://lotfp.blogspot.com/2009/06/i-am-nobody-in-real-life.html
http://leagueofimaginaryheroes.wordpress.com/2009/06/03/support-for-situation-generation/
http://drivingblind.livejournal.com/445875.html
http://buriedwithoutceremony.wordpress.com/2009/05/29/no/
http://d7.pipemaze.com/blog/2009/05/28/fiction-first/
http://d7.pipemaze.com/blog/2009/05/25/skill-systems-are-sometimes-a-good-idea/
http://deltasdnd.blogspot.com/2009/05/its-not-just-about-fun.html
http://philgamer.wordpress.com/2009/05/20/scion-return-of-the-yes-but/
http://rob-donoghue.livejournal.com/335247.html
http://revolution21days.blogspot.com/2009/05/industry-is-irrelevant.html
http://trollsmyth.blogspot.com/2009/05/where-pros-are.html
http://rob-donoghue.livejournal.com/334550.html
http://philgamer.wordpress.com/2009/05/07/character-development-happens-in-game/
In other news, I’ve been running Shadow of the Yesterday, a most fantastic game, in the local university rpg group. Someone’s going to be sacrificed to the serpent god in a session or two and we’ll probably end the game shortly after that. The player base has had few changes, but overall we’ve been doing fine. I’ve done one severe mistake thus far, which is acceptable, but annoying.
Soon I’ll probably start a sci-fi game inspired by Alien(s) and Starcraft. I’ve run a sort of introductory scenario in which a research facility was overrun (one player character probably died, others lived) by aliens / the zerg. Rules set will be modified tSoY, since I’m on a kick and enjoy it. I’ll be back to homebrewing and running or maybe even playing in homebrewed games in some months, likely as not. I don’t read much science fiction, so the setting creation is likely to be fairly co-operative to reduce the number of quite assured cries of implausibility. Also: New player introduced to roleplaying. Maybe it sticks, maybe not; I play with people, not to act as a recruitment officer for the hobby.
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Cogito, ergo ludo. 